The 53 m high tomb built in ad 1006 for Qābus Ibn Voshmgir, Ziyarid ruler and literati, near the ruins of the ancient city of Jorjan in north-east Iran, bears testimony to the cultural exchange between Central Asian nomads and the ancient civilization of Iran. The tower is the only remaining evidence of Jorjan, a former centre of arts and science that was destroyed during the Mongols’ invasion in the 14th and 15th centuries. It is an outstanding and technologically innovative example of Islamic architecture that influenced sacral building in Iran, Anatolia and Central Asia. Built of unglazed fired bricks, the monument’s intricate geometric forms constitute a tapering cylinder with a diameter of 17–15.5 m, topped by a conical brick roof. It illustrates the development of mathematics and science in the Muslim world at the turn of the first millennium AD.
Visible from great distances in the surrounding lowlands near the ancient Ziyarid capital, Jorjan, the 53-metre high Gonbad-e Qābus tower dominates the town laid out around its base in the early 20th century. The tower’s hollow cylindrical shaft of unglazed fired brick tapers up from an intricate geometric plan in the form of a ten pointed star to a conical roof. Two encircling Kufic inscriptions commemorate Qābus Ibn Voshmgir, Ziyarid ruler and literati as its founder in 1006 AD.
The tower is an outstanding example of early Islamic innovative structural design based on geometric formulae which achieved great height in load-bearing brickwork. Its conical roofed form became a prototype for tomb towers and other commemorative towers in the region, representing an architectural cultural exchange between the Central Asian nomads and ancient Iranian civilisation.

Integrity
The property expresses its value as an exceptional geometric structure and icon in the small town of Gonbad-e Qābus, clearly visible from many directions. It continues to express features of an Islamic commemorative monument combining traditions of Central Asia and Iran. The exterior flanges and inscription bands are in good condition, but the insertion of the ramp and the design of the retaining wall on the hillside have slightly damaged the form of the mound on which it stands.

Authenticity
The monument retains its form and design, materials, visual dominance in the landscape, and continues as a holy place visited by local people and foreigners, and as a focus for traditional events.